Jazz Improv/Theory Quiz, Lesson 1

Quiz Summary

0 of 14 questions completed

Questions:

You have already completed the quiz before. Hence you can not start it again.

Quiz is loading…

You must sign in or sign up to start the quiz.

You must first complete the following:

Results

Quiz complete. Results are being recorded.

Results

0 of 14 questions answered correctly

Your time:

You have reached 0 of 0 point(s), (0)

Answered
Review

Question 1 of 14

1. Question
What is the 3rd note of the C Major Scale?
- D
- E
- F
- F#
Correct

Incorrect
Question 2 of 14

2. Question
What is the 6th note in the C Major Scale?
- E
- F
- G
- A
Correct

Incorrect
Question 3 of 14

3. Question
How many diatonic notes exist between C and G, in the C Major Scale, ascending?
- 2 notes
- 3 notes
- 4 notes
- 5 notes
Correct

Incorrect
Question 4 of 14

4. Question
What is the interval between C and E?
- Major 2nd
- minor 3rd
- Major 3rd
- Perfect 4th
Correct

Incorrect
Question 5 of 14

5. Question
What is the interval between E and G?
- Major 2nd
- minor 3rd
- Major 3rd
- Perfect 4th
Correct

Incorrect
Question 6 of 14

6. Question
True or False: To transform any Major Scale into a natural minor scale, flat the 3rd, 6th, and 7th notes of the Major Scale.
- True
- False
Correct

Incorrect
Question 7 of 14

7. Question
What is the 6th scale degree of the B-flat Major Scale?
- F
- F#
- G
- A
Correct

Incorrect
Question 8 of 14

8. Question
What is the definition of a tetrachord?
- A series of four diatonic tones played consecutively.
- A series of four diatonic tones played simultaneously.
- A series of five diatonic tones encompassing the interval of a perfect fifth.
- A series of four diatonic tones encompassing the interval of a perfect fourth.
- A series of four diatonic tones encompassing any interval.
Correct

Incorrect
Question 9 of 14

9. Question
Define “Diatonic”
- Of or using only the tones of a standard scale without chromatic alterations.
- Of or using only the tones of a standard scale with or without chromatic alterations.
- Of or using only the ascending tones of a standard scale without chromatic alterations.
- Of or using only the descending tones of a standard scale with or without chromatic alterations.
Correct

Incorrect
Question 10 of 14

10. Question
Which number chord is Dmin7, in relation to the parent key of C Major?
- I chord
- ii chord
- iii chord
- vii chord
Correct

Incorrect
Question 11 of 14

11. Question
Match the following:
Sort elements
- C#
- A
- B
- F
- Eb
- C
- 6th note of the E major scale
- 2nd note of the G major scale
- tonic/root note of the B major scale
- 3rd note of the D-flat major scale
- 4th note of the B-flat major scale
- 3rd note of the A-flat major scale
Correct

Incorrect
Question 12 of 14

12. Question
True or False: F7 is considered the “dominant” chord in the key of B-flat Major.
- True
- False
Correct

Incorrect
Question 13 of 14

13. Question
True or False: C is considered the “subdominant” chord in the key of G Major.
- True
- False
Correct

Incorrect
Question 14 of 14

14. Question
True or False: F7 is considered the “subdominant” chord in the key of C Major.
- True
- False
Correct

Incorrect

Introduction to Improvisation and Jazz Theory (Digital only. No live tutorial)

Jazz Improv/Theory Quiz, Lesson 1

Quiz Summary

Information

Results

Results

Categories

1. Question

2. Question

3. Question

4. Question

5. Question

6. Question

7. Question

8. Question

9. Question

10. Question

11. Question

Sort elements

12. Question

13. Question

14. Question